Curated by the Heimdallr staff as a
testimony to six years of activity, the 'Europa Aeterna' compilation
presents nine exclusive tracks from some of the finest European artists
of the neo-folk scene (Camerata Sforzesca (side project of Camerata
Mediolanense), Darkwood, Decadence, Dies Natalis, Karnnos, Lady
Morphia, Reutoff, Sonne Hagal and While Angels Watch). Each song* was
composed specifically for the compilation and each project offers, in
their own unique style, their interpretation of the Heimdallr motto
Europa
Aeterna. (* with the exception of Camerata Sforzesca who present
here an exclusive extract of their unique concert with a choir of five
opera singers in
Modena in December 2004)
Presented in a sumptuous cover featuring an exclusive new photo from
the Danish artist Peter Bengtsen, 'Europa Aeterna' comes on heavy black
audiophile vinyl and is limited to 500 copies. The compilation is
distributed by Nathalie's label, Autre Que.
Track list:
WHILE ANGELS WATCH : Utopia
LADY MORPHIA : In Ewigkeit
DIES NATALIS : Friendship - Adrago Beach
DARKWOOD : Torn Nation
SONNE HAGAL : Europa Aeterna
CAMERATA SFORZESCA : Salve, Mundi Domine, Caesar noster, Ave (live)
DECADENCE : Lacrimae
KARNNOS : O Bosque do Limiar
REUTOFF : four lines of the sun
Release date : 22/01/06
Still Available
More info & orders: info[@]autreque.fr
*****
REVIEWS
Heathen
Harvest
Neofolk music fans across the world have come to rely
upon Heimdallr webzine as a reliable and discretionary source of news,
reviews and interviews pertaining to neofolk, neoclassical and other
relevant forms of post industrial music. Heimdallr has remained a
stalwart source of selective and filtered information over the years
introducing readers around the world to deserving artists and
musicians. Heimdallr's journalism personally inspired the creation of
Heathen Harvest and the webzine continues to prove that good taste and
quality journalism are defendable values. 2006 marks the sixth year of
Heimdallr's publication and it also marks the end of the Heimdallr
webzine. Heimdallr recently announced the termination of their
existance as a web publication. In commemoration of the Heimdallr
website the owners have released the Europa Aeterna compilation. Europa
Aeterna celebrates the success of Heimdallr and the artists and music
that defined their journalistic mission.
Europa Aeterna is published as a limited edition heavy black vinyl 12"
LP. The LP is housed in a stylish sleeve that includes photography by
Danish artist Peter Bengtsen (www.peterbengtsen.dk) . The LP is limited
to 500 copies. Contributing musicians include well known neofolk
artists such as While Angels Watch, Lady Morphia, Dies Natalis,
Darkwood, Sonne Hagal, Decadence, Karnnos and Ruetoff. There is one new
introduction in this illustrious line up, a band named Camrata
SforZesea is introduced to unfamiliar listeners as well. Each of the
participating artists was asked to contribute a recording based on the
LP's title and theme "Europa Aeterna." All of songs on the LP were
recorded specifically for the "Europa Aeterna" except for "Salve, Mudi
Domine, Caesar noster, Ave" which was recorded live during a Winter
Solstice celebration.
Side I begins with an offering from While Angels Watch titled "Utopia."
While Angels Watch has proven to be one of the most anticipated artists
to have emerged in the past few years from the neofolk genre.
Burgeoning fans have heard little from While Angels Watch aside from
occasional compilation appearances following the bands debut album
"Dark Age" in 2002 and their contribution to the Cynnfeird Eye for Eye
series in 2004. "Utopia" brings us back in stride with the powerful and
convincing music of While Angels Watch and reignites the passion many
have felt for this band. "Utopia" begins with the warmly familiar
acoustic and electric guitar of While Angels Watch. The guitars strum a
casual song that inspires reflection. Piano and bass join the song
along with the confident male vocals adding depth and emotion to the
composition. The male vocals are mature and instantly convincing. The
singer's voice recalls the strength and conviction of singers like Tony
Wakeford of Sol Invictus and Ian Reed of Fire + Ice. The music though
grounded in guitar based folk also encompasses elements of rock and
classic music. Though the instrumentation is a familiar combination the
resulting music is refreshingly original and does not immediately
attract comparisons. The song meanders through a couple of passages of
verse that discuss the seeds of Europa scattered across the fields
becoming slowly estranged by the weeds. The song calls upon Europa to
set the fields afire freeing the seeds from the weeds. Europa's
struggle is eloquently spoken of while the guitars lead surging music
that effortlessly swells to meet the passion of the lyrics. After a
powerful call for a meeting in a castle in the sky above Europa the
music shifts away from guitars into a brief ambient transition that
ends with the sound of gunfire. The guitars slowly rise once again this
time accompanied my martial orchestration. A call comes from deep in
the music speaking of the infinite love and tragedy of Europa as While
Angles Watch brings the song to a blazing peak with strings
orchestration, drums, percussion and guitar.
The title track "Europa Aeterna" offered by Sonne Hagal is the last
track on Side 1 of the Europa Aeterna LP. "Europa Aeterna" gives voice
to the ritualistic and experimental side of the diverse music of Sonne
Hagal. "Europa Aeterna" captures the spiritual aspects of the Europa
Aeterna theme as Sonne Hagal explores the dark pulsing heart of Europa
through sound and word. The song begins with electric and bass guitar,
random metallic percussion and quivering electronic pulses. The
atmosphere instantly strikes the listner as distressed. The guitar
plays a repetitive phrase while the electronic ambience bounces and
pings about the darkness. The metallic percussion sounds like large
iron bells or heavy iron gongs being struck. As the sounds collide and
expand a male voice begins singing in hushed tones as if conversing
with the night. He sings of the heart of Europa, it is wood, stone,
ancient, patient… The song navigates dark ritualistic atmospheres for
several minutes exploring the hidden soul and throbbing pulse of Europa
before gently retreating. "Europa Aeterna" is mature return to Sonne
Hagal's early ritualistic musical roots. The music reminded me at times
of the elusive ritual atmospheres explored by the likes of Voxus Imp.
Sonne Hagal's contribution honors the spirit of the compilation and
helps inaugurate spiritual aspects of the LP's theme and the genre it
represents.
Side II features a commendable offering from Decadence titled
"Lacrimae." "Lacrimae" sees Decadence displaying their musical and
lyrical eloquence as never before. Though decadence has not been
prolific in offering music over the last few years their initial LP
offered on Hau Ruck records "The Beheaded Scent of Winter" garnished
these romantic musicians a wide audience. On their most recent offering
released title on Cold Meat Industries Decadence demonstrates an
evolution in the bands established sound as the music and lyricism
elevates to a new apex. "Lacrimae" illustrates Decadence's established
erudite approach to musical composition and also captures the bands new
compositional complexity. "Lacrimae" begins with brisk string
orchestration and quickly progresses to include piano and inspirational
neoclassical instrumentation. The music is played professionally with a
neofolk genre inspired emphasis. Sensual male vocals are sung across a
platform of piano and acoustic guitars. The lyrics are darkly romantic
calling to mind romantic era poets like Rimbaud, Shelley and Byron.
Decadence projects a unique classical sensibility embellished with
modern bohemianism. Like a modern dandy the bands identity is
exemplified by a touch of class that distinguishes the music and lyrics
from their peers. The music of decadence often invokes a portrait of
life and love sketched by a renegade post modern romanticist bourgeois
that has rejected the values and beliefs of their cast in favor soulful
probing and decadent indulgence. Decadence brings a particular elegance
to the neofolk genre. After a lengthy neoclassical recital themed
around the tendencies of Jasmine and the red tears of Christ the music
shifts. The shift sees the retreat of the male vocalist in exchange for
a female vocalist. The previous lyrics pondering love and Christ are
replaced by lyrics that reflect upon war and hardship. The lyrics are
recited by a female who sounds separated from the convoluted lyrics
previously recited. The lyrics are spoken in a less multifarious manner
as they focus upon the struggle of the common man who finds himself
walking a path of war and survival marked by an attempt to understand
the meaning of the discord. The lyrics speak of war and its losses, of
scared lands and torn peoples. The music remains neoclassical, refined,
and eloquent capturing the Decadence aesthetic like never before.
Aside from the three songs described above the album also contains six
other exclusive tracks making for a total of nine songs. All of the
participating artists have offered worthy contributions to this
commorative LP and many memorable tracks await the lucky few who get a
copy of this limited edition release. Heimdallr has created a befitting
commemorative album that captures the spirit of the music which has
been Heimdallr's passion. Europa Aeterna gives voice to the emerging
Eurocentric artistic and spiritual renewal that has become the unifying
banner of much of the neofolk and post industrial genre. I highly
recommend this release to all neofolk and neoclassical music fans. The
theme alone should be stimulation enough for heathen and Eurocentric
advocates to secure a copy. Europa Aeterna exemplifies the high
standard of quality and discretion established by the Heimdallr webzine
so rest assured that your expectations will be exceeded. Collectors
take note that Europa Aeterna is likely to become a coveted and
memorable collectable as well. Congratulations on six years of premium
musical journalism Heimdallr! And may your future conquets be as
fruitful we wish the best from Heathen Harvest!
Malahki Thorn
Compulsion
Online
Europa Aeterna commemorates six years of activity from
the Franco-Swiss webzine Heimdallr, who focussed on neo-folk and
related musical fields. The exclusive contributions from the nine acts
(with the exception of Camerata Sforzesca who offer a live excerpt)
revolve around interpretations of the Heimdallr motto "Europa Aeterna".
Naturally that acts are all closely entwined with variations of the
neo-folk genre. While Angels Watch offer the plaintive strum of
'Utopia' with Dev's gruff voice tells of Europe's battles and
struggles. Its reprise through battlefield sounds, martial drumming to
orchestration acts as a lament for Europa. Lady Morphia are as erudite
as ever. The romantic goth-folk of 'In Ewigkeit' is constructed from
ringing acoustic guitar and melodic tin whistle with the lyrics a
combination of English and German. Lady Morphia are the sincere, stern
young sons of Europe. There's a richness in the melody of 'Friendship -
Adrago Beach' from the German outfit Dies Natalis. Male and female
voices converge over chiming acoustic pluck and strum with a soft
neo-classical reprise. There's a strong sense of traditional folk music
in the vocal delivery and this is, by far, the most accessible of the
contributions found on Europa Aeterna. 'Torn Nation' from Darkwood is a
solemn affair with a precise almost spoken delivery, a string ensemble
and ethereal female vocals embellishing the piece with finesse. Side 1
closes with the dark melancholia of Sonne Hagal, with atypical neo-folk
cloaked in percolating electronics and ritual atmospheres.
The second side foregoes the generic neo-folk sound for a number of
acts pursuing a more singular approach. The Italian ensemble Camerata
Sforzesca provide a most baroque offering, where a cluster of operatic
voices soar over majestic keyboards and spartan percussion culled from
a Winter Solstice celebration. It's followed by the refined sounds of
Decadence that switches between orchestral passages and acoustic folk.
It's refined and mature and slips effortlessly into a classical
romantic tradition. Ritual electronics from the Portuguese outfit
Karnnos and dark industrial ambient from the cult Russian trio Reutoff
close the album.
Europa Aeterna is a fitting epitaph to Heimdallr, which recently
announced their intention to cease all activities. As an entry into the
neo-folk scene it's a solid release and certainly more cohesive than
the sprawling Looking For Europe 4 CD set. Europa Aeterna is available
on black audiophile vinyl in an edition of 500 copies, with cover
photography by Peter Bengsten. The cult status of many of the
contributors will ensure this release on the Autre Que label will only
be available for a short time.
Tony Dickie
Funprox
For six years Heimdallr was a valuable source of
information about underground music. But now the people behind the
webzine decided that it's time for other activities. Like releasing
records! Two members of the Heimdallr crew started the label Autre Que.
After a single by Ô Paradis, they now released a compilation with some
interesting names from the dark folk scene.
The LP 'Europa Aeterna' comes on extra quality vinyl and is limited to
500 copies. It contains nine mostly unreleased tracks by nine different
artists. Side A is exclusively devoted to neo-folk songs, while the
B-side has more room for atmospheric experiments.
On the first half of the record, one of my favourites is 'In Ewigkeit'
by Lady Morphia, which has a strong melody and convincing vocals. It's
about the time that this British act releases a new album! The Darkwood
song is also nice, but earlier included on their Weltenwende album. The
tracks by Dies Natalis, Sonne Hagal and While Angels Watch are decent
affairs, without really standing out.
The flipside starts with the absolute highlight: a powerful live
version of 'Salve, Mundi Domine, Caesar noster, Ave' by Camerata
Sforzesca, a project related to Camerata Mediolanense, that also
performs this wonderful solemn track often live. Decadence from Greece
have not always convinced me in the past, but 'Lacrimae' is a nice mix
of a gothic hymn and a folk tune. Both Karnnos and Reutoff deliver
interesting soundscapes, respectively dominated by whispered/spoken
vocals and martial percussion.
Overall this is a good record, which is a nice addition to the vinyl
collection of dark folk fans. It's a pity that Heimdallr has ended its
activities, but records like 'Europa Aeterna' (which has always been
the motto of the webzine) are a welcome consolation.
Hans D.
Filth Forge
All good things must come to an end, and this time we
have to say farewell to one of the most representative and outstanding
webzines in the neofolk underworld, Heimdallr, the Swiss/French site
that kept us company since 1999. Nathalie, Ian and Stéphane decided to
stop their activities to concentrate on other projects, most notably
the Autre Que label started in 2005 by Nathalie and Ian themselves. As
a seal to six years of life and adventures, an LP compilation has been
produced in an edition of 500 copies. "Heimdallr - Europa Æterna"
features unreleased tracks by neofolk artists (with the only exception
of Reutoff) who have been featured on the webzine's pages with reviews
and interviews.
It's British WHILE ANGELS WATCH to open with "Utopia", a powerful hymn
sung in a distinctive deep voice, followed by compatriots LADY MORPHIA,
who take part with "In Ewigkeit", a song in German language. It's
Germany itself to enter the scene with some of its most famous and
appreciated artists, who effectively show the different approaches to
the neofolk matter existing on their land: DIES NATALIS are light and
gentle, DARKWOOD melancholic, SONNE HAGAL gloomy and crepuscular. Side
B moves away from standard neofolk, featuring neoclassical, ritual and
experimental sounds. CAMERATA SFORZESCA (Camerata Mediolanense's
philological side-project) play a wonderful "Salve, Mundi Domine,
Caesar Nostre, Ave", recorded live during 2004's Winter Solstice
Festival. DECADENCE's "Lacrimae" is probably one of their best tunes,
mixing piano, strings and almost Morriconian echoes, more focused and
original than their previous productions. Portuguese KARNNOS lead us
towards a mysterious ride through foggy ambient landscapes, where a
ghost whispers in their fascinating mother language. Finally, Russian
cult industrialists REUTOFF close the LP with a disturbing composition,
made of a distant marching rhythm, creepy orchestral tunes and sharp,
tinkling sounds.
On the whole, a beautiful collection of songs that perfectly represent
the neofolk circle and everything that moves around it. Heimdallr's
adventure was appropriately celebrated with this release, and we surely
won't forget all the interesting reading it offered us during these six
years. Rest in peace and honour to Heimdallr, Teacher of Men and
Guardian of the Bridge!
Simon V.
Gothtronic
The French-Swiss webzine Heimdallr has been a decent
source of information for the European centered neofolk scene for a
long time. Now they release a compilation on vinyl to celebrate the six
years they exist on which each of the artists interprets the Heimdallr
motto ''Europa Aeterna''. All tracks are written exclusively for this
release and this is quite special. Musicwise the album mostly features
delicate neofolk. Sometimes with a psychedelic touch such as While
Angels Watch, Reutoff, Sonne Hagal or Lady Morphia, and at other
moments with neoclassical undertones. Contributions have been made by
While Angels Watch, Lady Morphia, Dies Natalis, Darkwood, Sonne Hagal,
Decadence, Karnnos, Reutoff and Camerata Sforzesca, which is a
sideproject of Camerata Mediolanense and is represented on this
compilation with an exclusive recording taken from a unique concert
they did with 5 operasingers in Modena in december 2004. The Dies
Natalis song has multiple vocals and female vocals which turn this into
an exceptionally beautiful song. The compilation is pressed on heavy
black vinyl and is released in 500 copies, via the label Autre Que
founded by Ian and Nathalie, with a cover on which a photograph is
placed of the Danish artist Peter Bengtsen, like on the Heimdallr
website itself.
TekNoir
Sonidobscuro
No sólo teníamos noticia a finales del año pasado de
que dos miembros del webzine Franco-suizo Heimdallr abrían lo que sería
su propio sello, Autre Que, donde editaron un Ep del nuestro artista Ô
Paradis; sino que en el 2006 cumplen seis años de trabajo. Para
celebrarlo lanzan una recopilación en vinilo con nueve artistas de
excelente dark y neo folk que interpretan el 'motto' del mencionado
webzine: 'Europa Æeterna'. Todos los artistas han creado temas inéditos
y absolutamente nuevos para regalar a este interesante proyecto;
descontando Camerata Sforzesca, que les cede una grabación muy especial
grabada el 18 de diciembre en Modena, con cinco cantantes de ópera. Por
razones obvias no incluyen a las mayores referencias del dark folk; y
aún así su selección cubre la mayoría de diferentes visiones dentro de
esta escena. Desde el cuasi-pop de Lady Morphia hasta la
experimentación de Reutoff, el disco es muy completo y cumple sin duda
las expectativas puestas en él.
La cara A del vinilo cubre el lado más puramente folk y de pop oscuro.
Empieza con un tema de While Angels Watch, 'Utopia', que introduce una
voz grave y atonal cantando sobre unos acordes de guitarra y se
presenta inicialmente como un tema muy convencional con unas letras
nostálgicas que hacen referencia a la imposibilidad de la unión, pero
que acaba introduciendo cortes; silencios, samplers de ametralladoras
-que junto a los gases tóxicos fueron los grandes vencedores de la I
Guerra Mundial - y una bellísima melodía para terminar acompañado de
los lamentos:
"Still in my heart she lies: Europa!
But in my heart she cries: Europa!"
Lo sigue un tema mucho más alegre y pop de Lady Morphia con el nombre
de 'Ewigkeit'. Contiene una melodía muy simple y hermosa de flauta que
acompaña a la voz. Incluye unas interrupciones con letras en alemán y
una voz más opaca que son realmente lo más interesante del tema, sobre
todo en contraste con la mencionada melodía. 'Friendship - Adrago
Beach' es el tema que presenta Dies Natalis, un tema mucho más folk,
donde la voz masculina y femenina quedan entrelazadas con los arpegios
de las guitarras y donde, a veces, reluce la voz femenina con su
limpieza y belleza, arropada de una ambientación oscura, sinfónica y
melancólica. Darkwood, o bien Henryk Vogel, defiende su excelente voz
con 'Torn Nation' en un tema intimista con una melodía y cambios
preciosos. Poco a poco se van adentrando más instrumentos: una
acordeón, una flauta; que presentan su pequeño solo al que siguen esas
terribles palabras como estribillo:
"The future is darkness
and their blindness is faith. [...]
A promise that's given will never be kept'
Tres minutos de belleza y nostalgia. Acto seguido, nos adentramos
dentro del mundo de Sonne Hagal, que osan llamar su tema simplemente
'Europa Æterna' y empieza con unos acordes oscuros de guitarra donde la
voz entra sigilosa, acompañada de leves sonidos y samplers sordos, como
una reprimenda y un castigo al oyente, y a la promesa de esa 'Europa
Aeterna'
La cara B se abre con ese directo de la formación italiana Camerata
Sforzesca, 'Salve, Mundi Domine, Caesar Nostre, Ave' que va in
crescendo, añadiendo voces, coros e instrumentos, en un tema marcial y
glorioso con toques muy teatrales. Lo sigue el 'Lacrimae' de Decadence,
con una introducción cinematográfica, que desemboca en un tema más folk
con una voz recitada y con unos cambios que poseen unas melodías de
viento tristes y oscuras y que va añadiendo diferentes capas al tema,
con letras duras de referencias a Jesucristo ('Did you know the most
beautiful dreams are meaningless?') y añadiendo la voz de Anna Zafiriou
cuestionando sobre el tema. Una canción con muchísima libertad de
creación, arriesgada y bella que se hace corta para la intensidad que
presenta.
Karnnos y Reutoff son el lado más ambiental del disco. 'O bosque do
Limiar', basado en citas del escrito 'As origens do sagrado' de Anne
Bancroft, es un tema sangrante, que deja deslizar la voz sobre un fondo
oscuro y ambiental lleno de soledad. Un tema lleno de imágenes de
lugares olvidados, naturaleza destruida y promesas vacías. Para cerrar,
'Four lines of the sun' es una canción exenta de voz, mucho más
experimental y que contiene ángulos escondidos y sonidos enfrentados
entre acordes clásicos, bajos, percusiones, ruidos y arreglos extraños
y ajenos. También muy visual, el oyente se puede sumergir dentro de las
diferentes ondas que van sucediéndose en el tema.
Un trabajo muy interesante, muy caleidoscópico, que incluye creaciones
muy diferentes bajo una misma concepción de una manera realmente
loable. Sin duda una recopilación a tener e cuenta por su variedad,
oscuridad y por las diferentes posibilidades que abre al oyente. Te
invitamos a que andes junto a esta 'Europa Æeterna': "Where does he
lead his future? What does he fight for? What will remain of him when
this finally ends? Walk, oh sweet brother beside me. [...] Hold my
hand: it's cold."
Isis
Lichttaufe
Das Webzine Heimdallr feiert in diesen Tagen sein
sechsjähriges Bestehen mit der Veröffentlichung der Zusammenstellung
"Europa Aeterna" auf dem hauseigenen Label AUTRE-QUE. Zu den
Feierlichkeiten hat man sich durchweg bereits etablierte Bands aus dem
erweiterten Neofolk-Bereich eingeladen, die sich zum vorgegebenen Thema
"Europa Aeterna" kreativ äußern sollten.
Den recht gelungenen Anfang machen WHILE ANGELS WATCH mit dem STück
"Utopia", das mit einem für die Band gewohnten etwas sperrigen
Songaufbau aufwartet. Ist Dev normalerweise ein recht guter Sänger, so
scheint er bei der Aufnahme dieses Stücks allerdings einen eher
schlechteren Tag erwischt zu haben. LADY MORPHIA bringen im Anschluss
mit "In Ewigkeit" einen ebenso für die Band typischen Song zu Gehör.
Die Gitarrenspuren sind dem von LADY MORPHIA mitkomponierten
WERKRAUM-Stück "Die letzte Jagd" entliehen, so dass man dann doch hier
und da das Gefühl hat, eine Alternativversion mit anderem Text zu
hören. Eigentlich war ich nicht immer ein uneingeschränkter Freund des
musikalischen Schaffens von DIES NATALIS, aber das hier vorgelegte
Stück "Friendship" ist sicherlich ein Höhepunkt dieser
Zusammenstellung. Einprägsame und mitreißende Melodien unterlegt mit
Akustik-Gitarren und überbaut mit einer guten und ausdrucksstarken
weiblichen Stimme bestimmen hier das Klangbild. Ein weiteres Highlight
stellt zudem das folgende "Torn Nation" von DARKWOOD dar. Das Stück
besitzt ebenfalls eine hervorragende Melodik und ist mit Akkordeon,
Flöte und pointiertem, weiblichen Backgroundgesang schön breit
arrangiert. Für mich ist dieser Song zweifelsohne eine der besseren
Arbeiten der Band. Die erste Seite der LP wird schließlich von SONNE
HAGAL abgeschlossen, die ein eher ruhig-meditatives Folkstück
darbieten, welches mit industriellen sowie elektronischen
Hintergrundgeräuschen aufgelockert wird. Leider hat man diese Art von
Musik von SONNE HAGAL mittlerweile schon öfter gehört, wobei sich die
Variationen und die guten musikalischen Ideen doch eher in Grenzen
halten.
Die zweite Seite beginnt mit dem ersten nicht für diese
Zusammenstellung exklusiv geschriebenem Stück "Salve, mundi domine
Caesar nostre. Ave", das bereits als Studioversion auf Vinyl von
Camerata Mediolanense veröffentlicht wurde. Hier liegt die Live-Version
des Stücks von der alternativen Inkarnation Camerata Sforzesca vor.
Weiter geht es mit DECADENCE, die einen recht glatten und sauberen
Neofolk-Track abliefern, der nach wie vor ein eigenes auch einmal
kantiges Gesicht vermissen läßt. Die portugiesische Band KARNNOS bringt
ein vom Sound her ureigenes Stück zu Gehör, das von dunklen
atmosphärischen Flächen, sich im Hall verlierenden Gitarren und Flöten
sowie Johan Aernus´ potugiesischem Sprechgesang geprägt ist. Trotzdem
geht dem Stück die letzte Griffigkeit doch etwas ab. Die Kompilation
wird schließlich von REUTOFF beschlossen, die mit "Four lines of the
sun" einen interessanten neoklassischen Instrumentaltrack abliefern,
der nicht ins bombastische oder martialische abdriftet. Das Stück ist
sicher ein wertiger Schlußpunkt, es ist aber auch nicht so, dass man
soetwas nicht schon einmal ähnlich gehört hätte. Zudem ist das Stück
wie so viele Produktionen in diesem Genre für meinen Geschmack wieder
einmal die entscheidende Minute zu lang.
Insgesamt ist es Nathalie und Ian von Heimdallr gelungen, eine sehr
schöne Zusammenstellung zu kreieren. Echte Lückenfüller gibt es
eigentlich nicht und musikalisch befindet man sich auf einem guten
Niveau. Die sehr passende Cover-Gestaltung mit einem Bild von Peter
Bengsten tut zudem ihr übriges, zumal man in dieser Beziehung wieder
einmal den Vorteil einer großen LP-Hülle genießen kann. Die LP ist auf
500 Stück limitiert.
Tony
Exoteric
Dopo 6 anni di attività, la celebre Heimdallr, webzine
francese di Ian e Nathalie, chiude i battenti per concentrare i propri
sforzi sulla loro neonata label Autre Que. Per chiudere in bellezza,
Heimdallr rilascia una compilation su vinile che tende ad abbracciare i
temi più cari a questa iniziativa editoriale. La linea tracciata da
“Europa Aeterna” si consolida su un dark folk malinconico, musica da
ascoltare nel tepore casalingo guardando la pioggia bagnare i vetri
delle finestre.
Ottima iniziativa, ma il tutto suona come ‘vecchio’. Come dire, uscito
in ritardo. E soprattutto. Con tutto il rispetto, farebbe la gioia del
popolo dark/gothic. Mi spiego… Da sempre, almeno in Italia, c’è una
convivenza forzata tra pubblico dark e pubblico più incline alle
sonorità di più spiccata provenienza industrial. Tutto ciò ha portato
alla nascita di progetti (alcuni validi, non si può negarlo) ma
destinati più ad un’audience dark/gothic. Per intenderci, Scivias,
Sturmpercht, Turbund Sturmwerk fanno parte (con sforzi anche notevoli)
dello stesso raggio d’azione di gente come Dies Natalis, Darkwood e
Sonne Hagal, ma l’interesse del popolo ascoltatore viaggia su binari
diversi e molto distanti tra loro. Chiusa la parentesi.
L’apertura è affidata ad una malinconica song di While Angels Watch,
folk nero scandito da una calda voce maschile e con un’apertura più
maestosa e solare nel finale. Lady Morphia propone una versione scarna
e scheletrica della più potente e dinamica “Die Lette Jagd” di
Werkraum, deboluccia e povera rispetto alla prova di Axel Frank. Dies
Natalis non aggiunge nulla con il suo neo-folk delicato ed acustico con
voci femminili, lo stesso si può affermare di Darkwood, solito neofolk
intimista con aperture neoclassiche a base di strumenti ad arco. Sonne
Hagal rialza le quotazione con un folk sussurrato ed oscuro, non
eccelso ma decisamente meglio della caduta stilistica dei precedenti
gruppi tedeschi. Con il nuovo lato si ha l’occasione di ascoltare un
pezzo dei Camerata Mediolanense (qui denominati Sforzesca per indicare
la forma live) dopo un considerevole buio discografico. La song è un
estratto dall’ultimo live acustico, una versione carica e profonda di
“Salve Mundi”, un senso religioso e sacro pervade l’aria tra cantato a
più voci e percussioni marziali. Karnnos ci offre una song in linea con
il suo ermetico CD di debutto, un brano dal sapore rituale, molto
oscuro, quasi come se fosse registrato in una caverna durante un
rituale arcaico. Reutoff sembra quasi la voce fuori dal coro, il suo
background è notevolmente diverso dagli altri colleghi vinilici ma non
per questo stona all’interno del contesto generale. La vicinanza di
Karnnos li mette nella giusta esposizione con un brano simile per
atmosfere seppur più dinamico grazie ad un apporto ritmico mai invasivo
e ben calibrato all’interno delle trame oscure.
Una compilation dal doppio volto. Superficiale e debole nella prima
parte, più profonda ed espressiva nella parte finale. Un disco
abbastanza gradevole nel complesso.
Aldo
Ikonen
"Europa" ist ein Schlüsselbegriff in der gegenwärtigen
Folk- und Post-Industrialszene, die sich selbst gerne in einem
konstruktiven (also nichtausschließenden) Sinne als 'eurozentrisch'
betrachtet. Insofern verwundert es nicht, dass die Schweizer
Genre-Webpage Heimdallr ihre Vinyl-Compilation "Europa Aeterna" widmet.
Würde man jedoch einen der beteiligten Künstler um eine klare
Definition dessen bitten, was "Europa" hier eigentlich sein soll, käme
man wohl auf eine ähnliche Diskussion, wie sie unter den
intellektuellen des 19. Jahrhunderts bereits geführt worden war: Europa
scheint synonym für die Utopie eines kulturellen Gefüges zu sein, das
sich von Spanien bis nach Russland hinein erstreckt. Da sich hier
jedoch relativ wenig tatsächliche Zusammenhänge finden lassen, wird
nicht selten auch die Idee des 'Heiligen Römischen Reiches' oder
anderer Vereinigungsversuche - friedlich oder kriegerisch -
herbeizitiert. Das "ewige Europa" bleibt also ein eher vager,
spiritueller Begriff, der in etwa mit Georges "heimlichem Deutschland"
korrespondiert und eher die Sehnsucht nach kultureller Identität und
Zusammengehörigkeit formuliert. In der Beifügung "ewig" liegt
schließlich bereits der "Mythos Europa", das Überzeitliche verborgen.
Auf neun weitgehend exklusiven Stücken widmen sich auf dieser stilvoll
gestalteten LP nun ebenso viele Musikerinnen und Musiker einer
Formulierung dieses mythischen Bildes. Die Briten While Angels nennen
"Utopia" bereits beim Namen. In komplexem Arrangement wird ein
mehrstrophiger Folksong geboten, den die markante Stimme des Sängers
deutlich prägt - gleich einer der Höhepunkt zu Beginn. Es folgt das
ebenfalls britische Projekt Lady Morphia, das sich an einer
deutsch-englischen Text-Kombination versucht und deutlich auf die Idee
eines 'inneren, geheimen Zusammenhaltes' Bezug nimmt. Dieses Stück
erscheint weit optimistischer und kämpferischer vom Timbre…
Es folgen drei deutsche Spezialisten melancholischer Folkmusik: Dies
Natalis, Darkwood und Sonne Hagal, die allesamt in tragischen Balladen
das Thema angehen. Dies Natalis warten mit einem weiblichen Co-Gesang
auf, während Darkwood an die bislang gelegten Spuren anschließen und in
'Torn Nation' die destruktiven Auswirkungen des Zweiten Weltkrieges,
die bis heute spürbar sind, beklagen. Neben While Angels Watch ein
zweiter Höhepunkt der LP. Aber auch Sonne Hagals düsterer Song , der
direkt den Titel zitiert, kann sich hören lassen.
Mit Camerata Sforzesca liegt der erste Track vor, der nicht extra für
dieses Konzept komponiert wurde, doch diese Liveversion entstammt einem
exklusiven Konzert, in dem die Mitglieder von Camerata Mediolanense
durch einen Chorus von fünf Opernsängern unterstützt wurden (Modena,
December 2004). Fällt dieses neoklassische Stück durch seinen
mediterranen Pathos auf, schließt die griechische Band Decadence mit
einer Rezitativ-Ballade an, die leider nicht die Intensität der
vorangehend Lieder erreicht. Wie bereits auf der aktuellen CMI-CD
dominiert hier eine weinerliche Männerstimme in schlechtem Englisch zu
eingängigen - wenn auch unspezifischen - Klavier- und Gitarrenklängen.
Karnnos dagegen bieten eher düster-ambiente Klänge mit Sprache, die
eine gute Überleitung zum assioziativen Instrumental der russischen
Formation Reutoff bildet, die hier erstaunlich strukturiert und wenig
ambient daherkommen.
Insgesamt bietet "Europa Aeterna" dem Hörer eine ausgewogene
Zusammenstellung aktueller Balladen und Neoklassikkompositionen, die
ihre Hoch- und Tiefpunkte haben, jedoch erfreulich nah am Thema
bleiben. Formal und inhaltlich eine gelungenes Werk, das in den
genannten Genres auf Interesse stoßen wird.
Maria Nicoli