Music like medicine, music like ammunition...
Dirk A.
Contact: Aorta
As I have never read Jünger's novel of the same title, and must admit, that I have no greater
knowledge considering his works, I can't judge whether Gerhard / Kadmon succeeded in transforming the
book's topics and settings into music as it was his goal, obviously. Being in the vein of the earlier
albums, the music on Abenteuerliches Herz is for slow-moving, partly acustic, partly electronic, but
less dark and martial than previous efforts. Always unmistakeable are Kadmon / Gerhards spoken lyrics.
Also noticable is a strong Spanish influence that pervades the record, beginning with the translation of
Rainer Maria Rilke's Spanische Tänzerin into the album's second track and even culminating into a
flamenco version of the song Sturmlied. Integrated into the album's flow are two live versions of
the featured songs Feuersalamander and Nest which had been recorded in the Teatro Romano in
Spain. Additional entertainment is provided by a couple of interesting samples, including Iggy Pop and an
opera by Hans Pfitzner.
I found the music on Abenteuerliches Herz on one hand, to be rather relaxing and on the other,
providing the listener with a whole lot of interesting references. Although I would personally prefer
some of the older records (especially Stirb und Werde) over this one, I recommend it to anybody
who is willing to raise enough time to dwell upon the album's content.
Spring 2003